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February 16th, 2014

Through the looking glass: a peek at RareNoiseRecords releases for 2014

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Dear Friends


2014 has started swiftly, and we would like to take the opportunity to offer you all a peek at the releases we have prepared for this year. This year’s release schedule will be very intense and will feature two releases per monthly cycle

End of February/Early March: 

We start with TWINSCAPES (RNR037 and RNR037LP) ,  an album imagined and moulded by Colin Edwin and Lorenzo Feliciati  after an impromptu gig in London in Spring 2013.  The two master bass-players called upon trumpeter Nils Petter Molvaer, saxophonist David Jackson of Van Der Graaf Generator, percussionist Andi Pupato of Ronin and Roberto Gualdi, drummer of Italian Prog Rock legends PFM. TWINSCAPES was mixed by none other than Bill Laswell in Orange Studios, NJ. Official release date for the album is March 7th.


The album can now be ordered here NOW from the RareNoiseStore as CD Digipack, Single LP 180gms (shipping from around Feb 25th, e.g. a roughly week from release date), .mp3, .flac and 24bit/96Khz HD .flac digital. It will be available on Amazon, Itunes, Emusic, Spotify and all usual retailers (physical and digital) as well as shops ordering from our distributors (Cargo UK, Cargo Germany, Darla)

FreeNelsonMandoomJazz SaxophoneGiganticus

Concurrently the double EP by Free Nelson Mandoomjazz is being released (The Shape Of DoomJazz to come / Saxophone Giganticus – RNR039 and RNR039LP). The three Scots, Rebecca Sneddon on alto sax, Colin Stewart on bass and Paul Archibald on drums were discovered by Eraldo Bernocchi mid 2013 – once signed they headed over to Gorbal Studios in Glasgow in September 2013 where they re-recorded their two first EPs and a new full length album (The Awakening of The City) due out in 2015. The Double EP and the next full length album were mixed by Eraldo Bernocchi. Official release date for the album is March 7th


The album can now be ordered here NOW from the RareNoiseStore as CD Digipack, Single LP 180gms (shipping from around Feb 25th, e.g roughly a week from release date), .mp3, .flac and 24bit/96Khz HD .flac digital. It will be available on Amazon, Itunes, Emusic, Spotify and all usual retailers (physical and digital) as well as shops ordering from our distributors (Cargo UK, Cargo Germany, Darla).

End Of March /Early April:

The second release cycle will see two magnificent recordings being concurrently released, both with an official release date of April 7th (pre-orders will start March 4th)



We will start with ELEC3CITIES (RNR038 and RNR038LP), the new album by Italian piano trio CHAT NOIR (Michele Cavallari on piano, multiple keyboards, analog synthesizers and effects, Luca Fogagnolo on electric bass, upright bass, guitars and effects and Giuliano Ferrari on drums and effects).

By organically and masterfully blending elements of Electronica, both Ambient and Concrete Music with structures arising out of chamber music and jazz, this innovative has come up with a wholly unique sound on Elec3Cities that may establish a daring new direction for the format.The delicate balance of electronic experimentalism and acoustic piano jazz has been evolving gradually from the group’s initial release in 2006, Adoration, and continued on 2007’s Decoupage through 2008’s Difficult to See You and 2011’s acclaimed Weather Forecasting Stone. But the three Italian musicians take it to a wholly new level on Elec3Cities, their most overtly experimental outing to date and debut for the London-based RareNoise label.


Pre-Orders of this album will go live on the RareNoiseStore from March 4th as CD Digipack, Single LP 180gms (shipping from around March 31st, e.g roughly a week from release date), .mp3, .flac and 24bit/96Khz HD .flac digital. It will be available on Amazon, Itunes, Emusic, Spotify and all usual retailers (physical and digital) as well as shops ordering from our distributors (Cargo UK, Cargo Germany, Darla).



Concurrently RareNoise will be releasing PLYMOUTH , a three part improvised psychedelic suite  Jamie Saft (piano,organs), Joe Morris (guitars), Gerald Cleaver (drums), Chris Lightcap (electric bass), Mary Halvorson (guitars). Recorded  in Jamie Saft’s Potterville studios, this record presents itself as an entrancing, psychedelic organic voyage. It establishes psychedelia as one of the columns of contemporary free music, and is both mind blowing and incredibly subtle.


Pre-Orders of this album will go live on the RareNoiseStore from March 4th as CD Digipack, Single LP 180gms (shipping from around March 31st, e.g roughly a week from release date), .mp3, .flac and 24bit/96Khz HD .flac digital. It will be available on Amazon, Itunes, Emusic, Spotify and all usual retailers (physical and digital) as well as shops ordering from our distributors (Cargo UK, Cargo Germany, Darla).

End Of April /Early May:

May 1st will see the release of THE NEW STANDARD (RNR041 and RNR041LP) an incredibly suave piano (and organ)  trio by Jamie Saft, Steve Swallow and Bobby Previte. More News soon 

Pre-Orders of this album will go live on the RareNoiseStore early April  as CD Digipack, Single LP 180gms (shipping from around March 31st, e.g roughly a week from release date), .mp3, .flac and 24bit/96Khz HD .flac digital. It will be available on Amazon, Itunes, Emusic, Spotify and all usual retailers (physical and digital) as well as shops ordering from our distributors (Cargo UK, Cargo Germany, Darla).

End of May /Early June

The two releases slated for late May/early June are:

a. INDIGO MIST (RNR043 and RNR043LP), a collaboration between the Cuong Vu Trio and electroacoustic composer Prof Richard Karpen. This is an incredible release – a study in the organic interaction of man and machine, musicians and patches. The result is a suite of incredible subtlety and smooth complexity, simultaneously a hymn to jazz canons of Duke Ellington and Billy Strayhorn and a nod to compositional structures of contemporary electroacoustic masters. More News soon

b. INTERSTATIC‘s new album “Arise“(RNR042 and RNR042LP). The trio of Roy Powell, Jacob Young and Jarle Vespestad have worked hard on a new incredible release to follow on the self-titled debut album (RNR026) released in 2012 on RareNoiseRecords. The result is masterful ROCK’N’ROLL album. More News soon

Pre-Orders of these album will go live on the RareNoiseStore early May  as CD Digipack, Single LP 180gms (shipping from around March 31st, e.g roughly a week from release date), .mp3, .flac and 24bit/96Khz HD .flac digital. It will be available on Amazon, Itunes, Emusic, Spotify and all usual retailers (physical and digital) as well as shops ordering from our distributors (Cargo UK, Cargo Germany, Darla).

End of September/Early October

September will see the release of

a. a quartet by WADADA LEO SMITH, JAMIE SAFT, JOE MORRIS and BALAZS PANDI (RNR044 and RNR044LP). We have listened to the first mixes and can vouch to the fact that it is magnificent. More News soon

b. the new OBAKE recording (RNR045 and RNR045LP)by Eraldo Bernocchi, Lorenzo Esposito Fornasari, Jason Köhnen and Balazs Pandi. Utterly breathtaking and terrifying abstract metal grindcore from the masters. More News soon

End of October 

Final release of the year will be MOLE’s new recording “RGB“(RNR046 and RNR046LP), follow up to “What’s The Meaning?” (RNR027) they released on RareNoiseRecords in 2012.  Mark Aanderud (piano) and Hernan Hecht (drums) are joined here by Stomu Takeishi on bass. SPELLBINDING More News soon


2015 will be a year of further surprises. Currently on the books

a new SLOBBER PUP (after 2013’s “Black Aces“) but this time with Mats Gustafsson on horn,

a new Merzbow, Gustafsson Pandi with special guest Thurston Moore,

a new METALLIC TASTE OF BLOOD with Ted Parsons on drums,

a new FREQUENT FLYER (by Lorenzo Feliciati with Steve Jansen on drums),

a new PLANET MICROJAM (by David Fiuczynski) with Rudresh Mahanthappa


Kind regards to all, hope you are all as excited as we are after reading this.

December 28th, 2011

RareNoiseRecords: A Myopic Retrospective (part 4)

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Dear Friends,

the next step in our myopic retrospective brings us square into the year 2011, the seeds of which were sown late 2010.


“The Night Stays”, the first release by Owls, and our first foray into the world of neo-folk was due to a meeting of minds between renowned neo-folk/neoclassical singer and composer Tony Wakeford (of Sol Invictus fame) and Eraldo Bernocchi, with the added vocal virtues of Lorenzo Esposito Fornasari (longtime collaborator or Eraldo Bernocchi in recordings ranging from Ashes to Obake, of which we will say more later). First and foremost was the choice of name or totem for the band, a creature that would embody the lunar spirit of the project: the choice fell on the Owl, protector and observer  of those who cannot sleep. This mystique was also the principle behind the making of “The Night Stays” – the layering of traditional british and european neo-folk with elements of dark electronica, trip-hop and industrial noise. Dark, broody, introspective and obliquely futuristic, the recording evoques memories of New Order and Johnny Marr layered with the darker moments of Massive Attack as can be heard in the following track, “Hide And Seek”

The album’s wonderful cover was once again produced by Petulia Mattioli. “The Night Stays”, for the first time in our release history, was released as Double LP (180gm vinyl) with three extra tracks and new lush artwork.


September 2010 we received an email from Guy Licata, at that time drummer of Method Of Defiance (as can be witnessed on our release RNR003 – Nihon) suggesting I listen to a jazz performance he had participated in in 2006 as part of the Reissue Series curated by Brice Rosenbloom and Simon Rentner at the Merkin Hall in december that year. The lineup featured Bob Belden on sax, Tim Hagans on trumpet, Matt Garrison on bass, Scott Kinsey on keyboards, DJ Logic on turntables and obviously Guy Licata on drums, as they worked through six w0nderful tracks from Miles Davis’ Bitches Brew. As we were aware of both the previous Animation recordings, harking back to the turn of the century, that is Animation : Imagination and Re-Animation : Live, both graced with Grammy nominations in 2000 and 2001 and were fascinated by their attempt to weld Hard-Bop and drum’n bass, we decided to give the recording a thorough listen. What cemented our intentions was a long impromptu conversation with Bob Belden, whose larger than life persona and creative spirits really convinced us that RareNoiseRecords’ relationship with Animation would extend well beyond this first release. As it turns out, Animation (in their new stable formation with Bob Belden on sax/flute, Peter Claggett on trumpet, Jacob Smith on bass, Matt Young on drums and Roberto Verastegui in keyboards and sampler) has just finished recording their first completely new record, to be called “Transparent Heart”  in Laswell’s studio in West Orange, New Jersey – more about in a future update.

In agreement with Bob, we opted for a very aggressive, edgy mastering, with the aim of highlighting the near-brutal immediacy of the performance. The results were very favourable, as the album garnered excellent press from across the world, and also managed to ruffle some feathers, as was expected (a fact which we welcomed with open arms). The striking artwork was again due to Petulia Mattioli, who was tasked with devising a cover which would both reference the original and significantly depart from it – a task she managed to accomplish admirably, we say…


Very early 2011 we received an email by Italian bassist Lorenzo Feliciati, asking us to consider releasing a recording he had recently finished editing, featuring himself on bass joined by Mr Mister, XTC, The Rembrandts’ and King Crimson drummer extraordinaire Pat Mastelotto, by organist and keyboard maestro Roy Powell and by Pat Metheny Group trumpet innovator Cuong Vu. An ardent fan of Mick Karn, Lorenzo’s interest in RareNoiseRecords had been aroused by a charity compilation we had co-released late 2010 to support the great bass player  in his fight with cancer. In-depth listening of the demo revealed it to be incredibly interesting and innovative, a unique blend of late Crimson, Cecil Taylor and early 80’s Miles Davis artfully tailored and stitched together by master editor Lorenzo Feliciati. The recording by  the group, called Naked Truth, was released early July 2011, generating very positive responses in press and music lovers alike. Cuong Vu’s decision to decline further participation in the future development of Naked Truth led us to search for a temporary replacement to perform in Genoa on July 22nd 2011 (RareNoiseRecords night, part of the Gezmataz Genoa Jazz Festival), a role temporarily but admirably filled in by Nils Petter Molvaer. The future though, was not assured – long searches eventually lead us to the great Graham Haynes, but this is a matter for a future article. For the time being, enjoy  “Faster Than An Automatic Door”:

The artwork for Shizaru, Naked Truth’s first recording for RareNoiseRecords, was again invented by Petulia Mattioli. It depicts the Four Monkeys of the Confucian tradition (See, Speak, Hear and, most importantly Do No Evil, i.e. Shi-Zaru).

RNP003 – SEMETIPSUM 2011 (@Michele Satta’s wine cellar)

In the previous episode of our myopic retrospective, we had talked about the event held in 2010 in Michele Satta’s wineries in Castagneto Carducci, Tuscany, Italy. The event was repeated again this year early July, this time with Nils Petter Molvaer performing solo trumpet and electronics. Semetipsum 2011 will see a signed bottle of 2010 Viognier (“Giovin Re”) in the now well known limited edition box, accompanied by the beautiful graphics of Petulia Mattioli. Head over to Michele Satta’s internet portal to secure yourself a limited edition boxset.


On the 22nd of July 2011 we were honoured to be given the opportunity to host a two-set night as part of the Gezmataz Genoa Jazz Festival at the Arena Del Mare in Genoa, Italy. About 700 people came to see Brainkiller and Naked Truth perform to great acclaim and commotion.

Witness here Brainkiller’s new track “Otaku Goes To The Rave” (which will grace their new 2012 recording – out late 2012 or early 2013 on RareNoiseRecords)

and Naked Truth, performing here with Nils Petter Molvaer, showcasing their entire new album “Shizaru”

We thank Marco Tindiglia and Gezmataz for the opportunity afforded us, in the hope we might organize a further date for 2012.


We always knew that our relentless search for ever-mesmerising music to offer RareNoise aficionados old and new would eventually lead us to confront the world of doom and doom drone. The opportunity arose halfway through 2011 when the collective creative juices of Eraldo Bernocchi and Massimo Pupillo (remember for example Black Engine, released in 2008, featuring Eraldo Bernocchi’s guitar alongside ZU – Massimo Pupillo, Luca Mai and Jacopo Battaglia) coalesced and were joined by, once again Lorenzo Esposito Fornasari and by the great hungarian drummer Balazs Pandi to give rise to a music behemoth of rare power and intensity. Named after the japanese term for “Ghost/Shapeshifter”, their collaboration has its feet strongly rooted in doom, drone and grind, interweaved by onirical, lunar passages and lifted by Lorenzo Esposito Fornasari’s extraordinary vocals, here ranging from tender growl to near operatic crescendos . Released in September 2011, Obake encountered the favour of large parts of the press in UK and Italy. It was nominated 6th in the first 50 Albums of the Year by Rock-A-Rolla and among the 50 best by great british music blog The Quietus, by great writer John Doran. Obake will be performing live from late spring 2012, with Trevor Dunn on bass.

The next three releases are the most recent, dating back hardly a month, and we recently dedicated each of them a separate article – see here, here and here). Nevertheless, we think it appropriate to spend more words on each of them. We love all of our releases to bits, and could go on talking about them forever ….


Late Q1 2011, about the time we released Asiento by Animation, our friend Gaudi introduced us to a new recording and mixing process he had been involved in, when producing a remix of David Gilmour’s and The Orb’s Metallic Spheres: 3D60. This process, squarely aimed at the new and blossoming market for high quality earphones, allowed the creation of a new spatial/3-dimensional mix of existing recordings. Always looking out for innovative ideas to enhance the listening experience we were immediately fascinated by the recording technology invented by Mike Brady and Ian Thompson with the collaboration of Killing Joke and Fireman bass player/producer Youth. Very quickly we decided to submit Animation’s Asiento, which had been released early April, to this transformation. The results were rather astonishing, as they deeply affected the listening experience – a wider, near-spherical listening stage, focused instrument placement, accompanied by a much softer mix, aimed at increasing the dynamic range of the music (up to 20db!). – HOOK UP YOUR EARPHONES TO YOUR COMPUTER OR MOBILE PHONE to listen to the 3D60 Mix of track 3 from Animation’s Asiento, “John McLaughlin” so as to make sense of our words above:

Concurrently we had started to toy with the idea of producing a recording of remixes of Asiento – as we were fascinated by the opportunity of giving world-class remixers the opportunity to express their own point of view on Miles’ Bitches Brew. For a variety of reasons, chief amongst which legal and of respect, most remixers would have shied away from producing mix reconstructions of original Miles Davis material (with the notable exception of Bill Laswell’s Panthalassa). Presented with the opportunity to remix material which itself was an interpretation of the original left them with much greater freedom. Six remixers were given a track to work on in isolation, and were impeded from listening to each other’s work in the process. The result, again, was astonishing, as it was both cohesive yet markedly individual, ranging from Laswell’s drum’n bass take on Pharaoh’s Dance to DJ Logic’s deep dub take on Bitches Brew, to Youth’s Dancefloor/Trance take on “John McLaughlin” (listen to it just below) to Gaudi’s fast dub take on “Miles Runs The Voodoo Down” to Fanu’s Breakbeat take on “Spanish Key” to Joaquin “Joe” Claussell’s complete Hypno re-construction of “Sanctuary”. The red thread behind this release was, as was now clear to us, that of “transformation” and change (many of our releases deal with that notion): in this case transformation through technology and process (3D60) and transformation through artistic wizardry (the remixes).

Agemo, Vodun deity of transformation, gave the 2 CD recording its name, and influenced Petulia Mattioli in producing a most striking artwork superimposing the original vision of Asiento onto a chameleon skin.

Agemo is dedicated to the memory of Dora Ramos Claussell and Manuel Claussell, respectively mother and brother of Joaquin “Joe” Claussell, both of whom passed away during the making of Agemo. We would have expected Joe to either not deliver his work at all or to deliver it with great delay. He delivered on time, providing us with a potent example of professional coherence, focus and incredible intensity. We are deeply grateful to him and share in his grieving for his loss.


A near simultaneous release to Agemo was Winter Garden, which sees Eraldo Bernocchi join forces with Harold Budd and Robin Guthrie. Their journey had started mid 2010, when they played two live events, in the old Enel powerhouse in Trezzo d’Adda and in Genoa, in Palazzo Lomellino. Around the same time Harold Budd had sojourned in Tuscany, where he started recording the Eraldo Bernocchi (with whom he previously had performed – see Fragments From The Inside from 2005) – they were joined by Robin Guthrie and laid the foundations of this incredibly dense and delicate recording. Further trips to France sealed the work, giving it the dry, frosty and winter-silent qualities associated with its very title.  Listen to “Stay With Me” and rejoice as we do:

and look at their performance in Trezzo

Needless to say, once again the cover was admirably created by Petulia Mattioli (who had provided the spectacular live visuals for the trio’s performance at the Taccani / Enel powerhouse in Trezzo d’Adda in 2010).


Agemo and Winter Garden were joined by the second full-length release by The Mantra Above The Spotless Melt Moon, Ghost Dance. This record has currently been launched only in the UK (although it is physically available everywhere). We will talk about it in greater detail when an important announcement regarding the band’s UK and Italian tours are made in about a week. For the time being, enjoy reading about it here and listen to the beautiful “Trieste”:

The wonderful artwork for this release is by Infinity Artworks (who is none other than Adriana Salomone, the band’s lead voice), the spectacular photography is by Lucio Carbonelli, whose photographic work also appeared in the feature on the Mantra which recently graced the pages of Classic Rock Prog. We are very thankful to Adriana and Lucio for the beautiful work they conceived of and consequently created.

So here we are, full circle. The next article will be the MYOPIC PER-SPECTIVE, detailing the numerous new releases  that will grace our catalogue in 2012 – we truly hope we will able to blow your mind 

Cheers to all, and thank you for allowing us to indulge in this romantic exercise in short-term memory titillation.



April 23rd, 2011

Updates on new RNR releases until July 2011

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Dear Friends,

this is a brief note to update you all about new RareNoiseRecords releases for the months of May, June and July 2011.

1. May 30th 2011 will see the release of Animation | Asiento as 3D60 headphone mix. A uniquely spatial, balanced and visually detailed mix of the original Animation recording. Mixed by The Jam’s live sound engineer and music video director Mike Brady and multimedia producer Ian Thompson, it will deliver a completely new experience to our listeners.

2. June 2011 will see the release of Naked Truth | Shizaru (“Do No Evil”) . A monster-lineup of Italian bass and guitar player Lorenzo Feliciati, American trumpet player and innovator Cuong Vu (of Pat Metheny fame), British pianist Roy Powell and rhythm powerhouse Pat Mastelotto (King Crimson, Stickmen), Naked Truth straddles the spaces between Jazz, Prog, Metal, Ambient and Noise with spectacular deftness, lyrical prowess and a dancer’s sense of timing and agility. It will raise the hair on your skin.

3. July 2011 will see the release of Obake | Obake (“Ghost” or “Being that changes from static into dynamic”). An equally impressive lineup sees Italian bass player Massimo Pupillo (also in Zu) join forces with Italian guitarist and master innovator Eraldo Bernocchi, Italian singer Lorenzo Esposito Fornasari and Hungarian rhythm powerhouse Balazs Pandi (Merzbow). Obake travels through the underworld as it coalesces the energies of Drone Metal, Ambient and mind bending Electronica into an analog experience you have never heard the likes of before.

Let The Dance Begin


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