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February 24th, 2013

This Years New Releases Part 3 : SLOBBER PUP

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Dear Friends,

the third installment of our release schedule will materialise in early May 2013

 

Slobber Pup : Black Aces

 

SLOBBERPUP_final_360360_72

 

Artwork by Roki.

Slobber Pup are Jamie Saft on Hammond and keyboards,  Joe Morris on guitars, Trevor Dunn on bass and Balazs Pandi on drums. Meshing blues, jazz-rock, noise, metal and  in an undefinable and uber-powerful instrumental machine.

More information, including audio snippets soon. Pre-Orders of Vinyl+CD combo, CD, Digital formats will start early April 2013.

February 24th, 2013

This Year’s New Releases Part 2 : BERSERK!

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Dear Friends,

The second release of 2013 will appear Late March / early April 

Berserk!

 

BERSERK_360360_72DPI

Artwork by Stefano Fratus

Quoting from the Press Release:

berserk |ber’zerk; -?’serk| – adjective
frenzied, raving, wild, out of control, amok, on the rampage, frantic, crazy, raging, insane, out of one’s mind, hysterical, mad, crazed, maniacal, manic; informal–bananas, bonkers, nuts, loco,

The first-ever collaboration between Italian bassist-composer Lorenzo Feliciati and Italian vocalist-multi-instrumentalist-sonic provocateur Lorenzo Esposito Fornasari (aka LEF) defies easy categorization as it awakens the senses. At times darker than the Grim Reaper and heavier than the soundtrack for the Apocalypse, it can turn on a dime and swing insistently, or wail mournfully, or float mysteriously.

Is it rock? Is it jazz? Is it ambient, avant garde, opera or something else? Regardless of tags, the music that Feliciati and Fornasari make together as Berserk! on their self-titled debut stands an imposing manifesto. It is an iron fist upside the head of complacency.

With the two Lorenzos at the core of this formidable collective, they brought in such potent and provocative voices as guitarist Eivind Aarset, trombonist Gianluca Petrella, alto saxophonist Sandro Satta, keyboardists Fabrizio Puglisi and Jamie Saft, and drummers Cristiano Calcagnile, Pat Mastelotto (Feliciati’s bandmate in Naked Truth) and Simone Cavina to enhance the proceedings.”

Berserk! will be available to PRE-ORDER from March 7th 2013 as a COMBO (DOUBLE VINYL + CD DIGIPACK + DIGITAL (.flac/.mp3). as CD Digipack and as DIGITAL DOWNLOAD in multiple formats (.mp3/.flac/HD .flac).”

February 24th, 2013

This Year’s New Releases Part 1 : CUTS

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Dear Friends

Our 2013 release cycle will start in February 2013 with

Merzbow / Gustafsson / Pandi : Cuts

 

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Quoting from the Press Release:

“If jazz, as the eminent critic Whitney Balliet once wrote, is the “sound of surprise,” Cuts, an intensely cathartic, fiercely turbulent collaboration between Japanese noise purveyor Masami Akita (aka Merzbow), Hungarian drummer Balazs Pandi and Swedish saxophonist Mats Gustasfsson, is the “sound of shock and awe.” A sonic assault of epic proportions, it blends the bombast of Merzbow’s grinding white noise barrages with Pandi’s thunderous pulse on the kit and Gustafsson’s ferocious abandon on baritone sax and clarinet mixed with live electronics, bringing to mind a marriage of Lou Reed’s Metal Machine Music and Coltrane’s Interstellar Space, with touches of Sonic Youth’s sonic mayhem thrown in for good measure.”

Recorded on April 14th 2012 at Metropolis Studio in Budapest, Cuts has been mixed in Tokyo by Masami Akita himself.

Artwork and Cover design for both CD Digipack and LP by Roki

The Album is available immediately in

several digital formats

320kbps .mp3 / 16bit/44.1KHz .flac / 24bit/96KHz .flac

and several physical formats

4 Panel CD Digipack (with immediate shipping)

Combo (Double 180gm Vinyl + 4 Panel CD Digipack + 320kbps .mp3 + 16bit/44.1KHz .flac)  (with shipping estimated from March 6th 2013)

The Vinyl and CDs will also be available from Online retailers (Amazon and Others) from early April and in digital form (.mp3) from all the usual digital retailers (Itunes/Emusic/Amazon/Spotify).

August 23rd, 2012

Animation – Transparent Heart – out 25 September 2012 – First Press

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Dear Friends,

Animation, a.k.a. Bob Belden on Sax/flute, Pete Clagett on trumpet, Jacob Smith on bass, Roberto Verastegui on keyboards and Matt Young on drums, are about to release their first studio album in a decade, “Transparent Heart”. Pre-Orders will start on the 25th of September or shortly before that date

AVAILABLE FROM / FROM WHAT DATE/  IN WHAT FORMATS:

  • www.rarenoisestore.com / pre-order from 25 th September / CD Digipack 4 panel with booklet, digital .FLAC and digital .mp3
  • All Digital Stores (Itunes/Emusic/Spotify/etc) / 25th September / digital .mp3
  • Online Stores (Amazon/HMV/etc) worldwide via CARGO, DARLA, GOODFELLAS etc / 1st October 2012 / CD Digipack and digital .mp3

This is the wonderful cover by Petulia Mattioli

and here a track from “Transparent Heart”, “Provocatism”

For the time being we would like to share some of the press the recording has generated until now – here on JAZZWISE MAGAZINE, who has run a very large feature on Bob and Animation this month! (and on MOLE too!!!)

 

 

 

and finally the 4 STAR review!

Here is a video of their recent AMBISONIC SURROUND performance at the Tabernacle in London

and at the Vortex Jazz Club

January 24th, 2012

RareNoiseRecords: A Hyperopic Perspective on 2012

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Dear Friends,

as we mentioned in the fourth chapter of our Myopic Retrospective, we have now finally prepared the ground for a Hyperopic Per-Spective of 2012.

The first couple of months of 2012 will start, as one expects, where 2011 ended – with the releases in the US of Winter Garden and Animation’s Agemo, which will be followed by a spate of new releases. Please be aware that the release dates vary by country, and that excluding FREQUENT FLYER, most of the artwork is not final)

RNR023 – LORENZO FELICIATI – FREQUENT FLYER – End Of February/End of March 2012

Subtitled “Diary of A Travelling Musician”, Frequent Flyer is a celebration of the musical talents (travels…) of Italian bassist, music producer and founder of Naked Truth, Lorenzo Feliciati as he scours the lands of jazz and progressive rock with a very large cohort of musical conspirers –  Bob Mintzer, Cuong Vu, Roy Powell, Phil Brown, Patrick Djivas, Lucrezio De Seta, DJ Skizo, Paulo La Rosa, Pat Mastelotto, Aidan Zammit, Roberto Gualdi, Stefano Bagnoli, Maxx Furian, Pier Paolo Ferroni, Andrea Di Cesare, Daniele Gottardo, Jose Fiorillo, Daniele Pomo and Guido Block. A multi-faceted record as broad in scope as it is deep in musical ideas, Frequent Flyer is both a voyage as it is a statement of intent, musical intelligence, spectacular taste and grand architectural vision.

and here as her performs a track from the Album, “Law & Order”

RNR024 – METALLIC TASTE OF BLOOD (Eraldo Bernocchi, Colin Edwin, Jamie Saft, Balazs Pandi) – End of March/End of June 2012

Around November 2009 we were very honoured when Colin Edwin, bass player extraordinaire of Porcupine Tree acquired a copy of Arc by Parched, one of RareNoiseRecords’ first releases, featuring the combined talents of Eraldo Bernocchi and Davide Tiso. The seeds of artistic consonance between Edwin and Bernocchi have since flourished  and with the infusion of talent by keyboard-player/composer Jamie Saft and drum powerhouse Balazs Pandi (of Obake fame), have eventually blossomed into a genre-defying instrumental recording spanning the space between metal, progressive, dub, alternative…in a smooth and all-encompassing way. Utterly spellbinding

Very soon (probably early february) we will be able to share one or two tracks with you. For the time being head over to their website and read about it on Colin Edwin’s Blog.

RNR025 – DAVE FIUCZYNSKI’S PLANET MICROJAM (Dave Fiuczynski and musicians, with appearances by Jack DeJohnette and Kenwood Dennard – April/May 2012)

In an article appeared on Fusion Magazine (the literary and Multimedia voice of the Berklee School of Music and community) David Fiuczynski defines the notion of “MicroJam”, which is central to this revolutionary and spellbinding release on RareNoiseRecords, as follows :

“Drawing on unique elements of western classical microtonality and ethnic folk melodies organized in a jazz/groove context, unheard of harmonies and counterpoint are possible. What sets this microJam apart from other microtonal music is its method of organization. Unlike the microtonal chromaticism of Julian Carrillo, the athematicism of Alois Haba and the post-Scriabin style of Ivan Wyschnagradsky (all venerable microtonal pioneers in western classical music), this MicroJam is not so much MICROtonal as microTONAL. The emphasis is on microtonal harmony that has a jazz-based modal origin. New harmonic colors can be expressed vertically through the stacking of, for example, an Arabic maqam (a type of Arabic mode) into chords based on 3rds or 4ths over a tonal center – in other words, harmony derived from a microtonal chord scale. This is not done in eastern music traditions or modern classical music. Music from the Middle East and Asia rarely has chordal harmony and in the modern western classical tradition, either tonal centers are avoided or harmony is produced from counterpoint. In our ever-shrinking global village could Global MicroJam be a shape of Jamz to come?”

Or, as the artist himself wrote in his tweet  ” … all the out of tune notes you always wanted to hear in a funky setting”

It is hard for us to describe the incredibly subtle and mesmerising, at times overwhelming beauty of compositions to be paraded in “Planet MicroJam”, which range from a microtonal re-writing of a fragment from Beethoven’s 5th Piano Concerto to microJam arrangements and performances of microtonal works by Juan Carrillo, Alois Haba and Sun Ra, exquisite arrangements of traditional songs and delightful original compositions by David Fiuczynski, all played by musicians of  unbelievable caliber, from Fiuczynski himself to Evgeny Lebedev, David Radley, Takeru Yamazaki, Evan Marien, Jovol Bell, David Ginyard, and including two guest perfomances by drum masters Jack DeJohnette and Kenwood Dennard.

For the time being, here is “Drunken Longing” recently performed in NYC

RNR026 – INTERSTATIC (Roy Powell, Jarle Vespestad, Jacob Young) – March/May 2012

Shards of light and guitar poke the thick, incessant, impenetrable mass of layered drum rhythms as maelströms of liquid organ notes form and dissolve, to embrace, fracture and propel this aural light. The incredible Roy Powell, who also plays organ and keyboards on Naked Truth, master drummer Jarle Vespestad and guitarist extraordinaire Jacob Young (the last two partners in repeated ECM releases) deliver their second recording (after their previous Anthem) as a trio, this time under their new name InterStatic. 

(video by Neil Loughran)

Their music, again, knows no boundaries, as it flows often incessant, at times lunar and nordic, with over-archingly powerful melodic themes penetrating the dense, at times apparently chaotic but sharply contrasted, always slickly cut layers of sonic architecture. ChiaroScuro, for synaesthetes.

The recording is currently in the final mastering stage – we will soon share a couple of tracks with you all for you to fully appreciate its greatness.

RNR027 – MOLE – WHAT IS THE MEANING? (Mark Aanderud, Hernan Hecht, with David Gilmore and Jorge “Luri” Molina) – April/May 2012

MOLE (or MOLE Productions) is the Musical Juice Collector of the incredible Mexican pianist Mark Aanderud and Argentinian-born and mexican resident (and Brainkiller drummer) Hernan Hecht, here joined by the amazing David Gilmore on guitar and the wonderful Jorge “Luri” Molina on bass. Swinging, poly-rhythmic, incredibly melodic, the new album by MOLE is nourished by the movingly beautiful compositions and virtuosistic piano work of Mark Aanderud, whilst being propelled forward by the jazz/rock/drum’n bass drumming of Hecht and the scintillating guitar-work of Gilmore.

Soon we will be sharing one or two tracks from this beautiful album by a quartet which we think has the potential to follow in the steps of EST and Phronesis.

Here in 2009 in Mexico (audio quality is not exceptional, but you will get an idea of the energy of their live performances)

RNR028 – ANIMATION – TRANSPARENT HEART (Bob Belden, Peter Clagett, Jacob Smith, Roberto Verastegui, Matt Young) – September 11th 2012

After 2011’s Asiento and its Spin-Off Agemo (also here) comes the first work by Animation which was recorded wholly in-house (in Bill Laswell’s studio in West-Orange, New Jersey), under the watchful eye of James Dellatacoma. 2011 was a year of rebirth and intense transition for Animation, as it was brought back to life via the release of the 2006 re-make of Bitches Brew (Asiento), then played a number of gigs  a hybrid formation, featuring Bob Belden on sax, Tim Hagans on trumpet, with the astonishingly young Jordan Gheen on keyboards, Jacob Smith on bass and  Matt Young on drums.

Here in Charleston:

Here at the Jazz Standard (and here the review by JazzTimes)

performing a track from Transparent Heart.

Here, finally, as they played live on a show on WBGO, The Checkout, produced by Josh Jackson just prior to playing at the Jazz Standard.

The formation of Animation has now coalesced and stabilised around Bob Belden, Peter Clagett, Roberto Verastegui, Jacob Smith and Matt Young. Soon we will have one or more tracks to share with you all, as it is quite unmeasurably beautiful.

RNR029 – NAKED TRUTH (Lorenzo Feliciati, Graham Haynes, Roy Powell, Pat Mastelotto) – October 2012

2011 saw the release of Naked Truth’s first recording, Shizaru to good critical acclaim – witness Carole Banks’s recent review in TheExaminer “…in ambient, avant-garde jazz-fusion, the hardest thing to do is make the visionary, experimental music melodically easy to follow and impossible to forget. Naked Truth does exactly this in “Touching Corners.” Whoever came up with the fan- and serious musician-friendly melodic line strengthening throughout this rocking, haunting groove, is an off his rocker prophet. It’s easily the best single for a cross-over hit, combining hard-driving rock with an ethereal, ballet-like loveliness. The cascading, intensified piano amplifies an urgency of purpose.”

Naked Truth then performed in Genoa (with Brainkiller), at the Gezmataz Genoa Jazz Festival, as part of a RareNoiseRecords – themed night (about which we will talk in the near future) with the appearance of Nils Petter Molvaer

After Cuong Vu decided to focus on his own projects, Naked Truth found a new stable member in the incredible Graham Haynes, and headed to Bill Laswell’s studio in West Orange to record their second full length. Having had the honour of being there we assure you it takes a further step into the future of music. We can’t wait to share some of the results with you – shortly we will be publishing an EPK and diary of the recording days in New Jersey.

Before we leave you, let us say we have two/three more cards up our sleeve for 2012 – Brainkiller, for example, will tour Mexico in March 2012, appear at the Vive Latino festival and record their second album for RareNoiseRecords …

Until Next time!

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